Today's question goes something like this:
I've just finished my novel. What should I do before submitting it to an agent? Should I hire a professional proofreader to edit it? Also, do you have advice for me on how to find an agent? Any tips on writing a good query letter?
Disclaimer: I only submitted to one agent, and she offered me representation. We're still together, and very happily so, at least from my perspective. (I can only speak for myself.) We're still crazy after all these years. :) So my advice on finding an agent comes more from years in this industry than from personal experience. It also comes from from countless conversations with other writers, and with many agents I'm fortunate to call friends. Each might have their own unique twist on these questions, so I make no claim of providing the last, definitive word on the subject. My advice, such as it is, is below, and I think it's pretty sound. It's free, at any rate. Here's my letter in response to those questions.
Dear Aspiring Writer,
Thanks
for reaching out to me. Congratulations on finishing your novel!
To your
first question about hiring a proofreader, I guess it depends on how cleanly you write, but really, I don’t
think proofreading is what’s needed next. Proofreading suggests to my mind a cleanup
of spelling, commas, accidental word choices, and the occasional run-on. That’s
not what should come next, and it’s not even what an agent will really care
about. Agents are entirely looking for original voices, strong characters, and
compelling storytelling. If that’s not there, perfect spelling and grammar won’t
help you; if voice/character/story are strong, bad spelling and grammar won’t
be a serious issue. (All the same, it’s good to write cleanly if you can, as it
looks somewhat sophomoric to have a manuscript that’s studded with errors.)
The kind
of feedback you need next is smart editorial feedback. If you don't have a professional editor at a national trade publisher in your back pocket,
the next best thing is to get a critique from a skilled, experienced
reader/writer/critiquer. Feedback from a strong critical reader who reads a great deal and
can articulate for you what’s working and not working in your draft is an
essential next step in the process of moving toward publication. I’m pretty
sure that no one’s first novel, in its virgin state, is ready to be shopped
around. Librarians, teachers, and serious, committed aspiring writers are all
good sources of critique. Someone with a creative writing MFA will be experienced
in the process of giving expert critiques. I strongly urge you to take this step
next. Perhaps you can trade critiques, and offer them constructive feedback on their work in progress. That process will teach you more than you might imagine about how to spot the weaknesses in a working manuscript.
To your
other questions, how do you find an agent? And do I have insights on query letters?
Query
letters: I’m mystified by how these are treated as some sort of holy grail. Keep
it incredibly short, sweet, and to the point. “Dear Agent, I’m writing to see
if you would be interested in reading my _genre_ novel/picture book/etc
for _age group_ readers. Combining the humor of _funny book_ with the
twists and turns of _exciting book_ [make your own best comparisons], the
book tells the story of _character_, an _age_ year old boy/girl
with _quirky/special trait/power_ who lives in a _setting_ and faces
_problem_ in her pursuit of _goal._ I’ve enclosed the first two
chapters, coming in at _page count_ pages. The finished novel is _words
long._ [New paragraph.] I work in _my career and/or industry_ and I hold
a degree in _relevant major field_ from _school_. My interest in
_subject matter_ stems from my _personal experience with subject
matter_ [I breed llamas or whatever]. I can be reached at _my contact info_. Warmly, My Name.”
If, in
the process of writing the query letter, you think of clever ways to inject humor and
personality into the writing of the letter, great, but err on the side of
keeping it light and straightforward. Just the facts, ma’am. Short, sweet, and to the point. If your
pitch is remotely interesting, the agent will start reading the first page or
two. They’ll know in a hurry of they want to go on. If they sense strong voice,
character, and/or story, they’ll continue, and if they like what they see, they’ll
ask for more.
As for
what agents to query, research agents at literary agencies specializing in the
kind of stuff you write. Your best option is to pick your dozen favorite books
published in recent years and check the acknowledgements section to figure out
who represented those books. That’s likely to be your best starting point as a submission
list.
I hope
this helps! Best of luck to you. Definitely find a good critical reader, or
two, or seven. This process takes time. I imagine you’re probably eager to
submit sooner rather than later. We all are. But do take the time to obtain and
consider smart feedback on overall story and structure elements. You’ll be glad
you did.
Cheers, Julie Berry
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