Grown-Ups, Nonsense, and Imagination: The Little Prince by Antoine de Saint-Exupéry

(A post for fifth graders, and for fifth graders at heart, with writing prompts. First posted to a school blog.)

Greetings, Fowler Fifth Graders – can I call you FFG for short? – and welcome to our book blog, where we’ll be discussing the titles you’re reading in school. I’m excited to dive in. Let’s look at The Little Prince. 

Who was your favorite character in the story? I fell completely in love with … drumroll please … its narrator.

Did you think I was going to say the little prince himself? Oh, I like him just fine. But I adore the narrator. Note that I didn’t say Antoine de Saint-Exupéry himself. I said the narrator – the nameless fictional character who crashed his plane in the desert and met the little prince. Is he Antoine himself? Nope. This isn’t an autobiography.

I love the narrator because he’s sly and witty, always poking fun without being mean, and he takes quirky things seriously, or pretends to. (I’m thinking of the danger posed to planets by baobabs. Hysterical!) He’s an adult who refuses to be a “grown-up,” who has never left behind the warmth, trust, openness, and imagination of childhood. Or at any rate, that’s how he sees children, and he sees “grown-ups” as the complete opposite.

The Little Prince – the book, I mean – is a scathing argument against the nonsense believed by “sophisticated” grown-ups in modern society. I think the narrator would say, if asked, that society itself is nonsense. (By the way, “scathing” means boiling hot, so hot it’ll burn you. But it’s a juicier word than “boiling” or “burning.” “Sophisticated” is a fancy way of saying, well, “fancy,” or perhaps, “cultured, refined, elegant, smart, educated.” It goes hand-in-hand with “society.”)

I believe the narrator hands us the theme and main idea of his tale on a silver platter on pages 2 and 3.

Grown-ups never understand anything by themselves, and it is exhausting for children to have to provide explanations over and over again.

I have spent lots of time with grown-ups. I have seen them at close range … which hasn’t much improved my opinion of them.

Through the little prince’s travels, we learn many things about grown-ups. According to the narrator:

• They have no imagination. (Boa constrictor drawings.) 
  
• They won’t believe someone’s discoveries if they’re not wearing the right type of clothes. (The Turkish astronomer.) This is also a way of saying that grown-ups distrust people from different cultures.
• They won’t believe information that doesn’t include numbers. (Asteroid B-612.)
• They are obsessed with what’s “serious.” (The narrator’s jammed bolt and hammer.)
• They care about rank –who’s in charge and who’s not. (The king and his “subject.”)
• They are petty and self-centered, and want to be flattered. (The vain man and his “admirer.”)
• They are gloomy, sad, and self-destructive. (The drunkard.)
  
• They are so busy, and so obsessed with business (“busy-ness”) that they overlook beauty and truth. They care more about what they own than what makes it special. (The businessman.)
• They mindlessly follow orders, even senseless ones, wasting their lives away. (The lamplighter.)
• They only believe what’s written down, and prefer learning from books to going out and seeing what’s actually there. (The geographer.)
• They’re always in a hurry, without ever knowing what they’re looking for. (The railway switchman.)
• They’d rather buy something to save time than take their time enjoying an experience. (The salesclerk.) 

My goodness! Is there any hope for grown-ups, then, if even part of what the narrator believes is true? I just had a terrible thought. Am I a grown-up? I get older each year, it’s true, but I don’t want to be anything like these grown-ups.

The Little Prince was published in 1943, so probably written in, say, 1941 or 1942. You probably know what was going on then: World War Two. Though the war included significant fighting in the Pacific, World War Two devastated Europe. Antoine de Saint-Exupéry was a French pilot who flew military missions for France during the war. Hitler’s Germany occupied France – meaning France was under the control of Germany, and German soldiers were stationed throughout the country – from 1940 to 1944.  600,000 French people – soldiers and civilians – died from combat, bombings, and other war crimes. Worldwide, the numbers vary (uh-oh! Am I a grown-up obsessed with numbers?) but anywhere from 50,000,000 to 80,000,000 people died from war causes. Fifty to eighty million.

The causes of the war could fill thousands of pages, but I’m pretty sure Saint-Exupéry’s narrator saw it rather simply, like this: Vain, petty, selfish men, obsessed with power and rank and money, wanted to rule over everything. Like the story’s king, they persuaded people to obey them and become subjects, partly by making them hate and fear cultures that weren’t their own. Like the lamplighter, people mindlessly obeyed orders, even self-destructive ones. Many were so busy and tired from making a living, and in such a hurry doing it, that they lost sight of what’s beautiful and true in the world, so they failed to stop what was happening. Under these conditions, dictators rose, nations invaded nations, the world was sucked into a vicious war, and millions of people died.

Not just died in the long-ago past, but were dying, right in Saint-Exupéry’s beloved France, as he wrote this story.

This, I believe, is how the narrator saw things. Is it any wonder he had lost his faith in grown-ups?

Can we blame him for thinking that if the men in charge were less concerned with power, rank, money, and admiration, and that if others hadn’t mindlessly obeyed their evil plans, the world might not be at war? Can we blame him for believing that if grown-ups were more open to imagination, and to smelling the perfume of a flower that’s right in front of them, and to trusting the essential things that are invisible to the eyes but seen by the heart (oh, how I love that fox!), that maybe his world could have been at peace?

There may come times in your life, as there have in mine, where the busy-ness of work, and the pressure to make money – we must eat, after all – and the desire to fit in and be admired so that we can succeed, crowd out the quiet, invisible things that matter most, like hope and belief in what’s good and simple, kind and true. Like the grown-ups in the story, we can forget who we once were, and what our imaginations taught us when we were young. Thank goodness for children’s stories, which keep hope and imagination alive forever. Perhaps that’s their most sacred job. It’s why I have never stopped reading them, and why I have devoted my life to writing them.

The Little Prince – the book – breaks my heart, in the best way. Perhaps the saddest line in the entire story is at the very beginning of chapter two, on page three. “So I lived all alone, without anyone I could really talk to, until I had to make a crash landing in the Sahara Desert …” In that wide world of grown-ups, our nameless narrator had never found a friend. But the little prince, who loved a flower and tamed a fox and searched the cosmos for friendship, became his true friend. Then, saddest of all, he was gone, but not gone forever, because the stars are always there, like bells ringing. And even though the narrator can’t see his friend, he loves him, which is the essential thing, invisible to the eyes but seen by the heart, and—who knows?—perhaps felt, millions of miles away, by a boy watering a flower, and protecting it from a sheep, among the stars.

Writing Prompts

1. Imagine you are Antoine de Saint-Exupéry, but living today, instead of in the 1940’s. Send the little prince on a voyage to asteroids where he would meet grown-ups who represent problems we see in the world today. What would their bad habits look like now? I’ll bet cell phones, Facebook, selfies, and TV shows would have something to do with the nonsense. Can you write the short scenes where your little prince meets these modern rascals?
2. What’s an essential thing in your life that’s deeply true, but invisible to the eyes? Maybe it’s the love you feel for someone in your family, or the closeness you share with a friend. Maybe it’s a memory, or the way something beautiful, like art or music, makes you feel. Can you write a short scene from a moment in your life that shows the reality and truth of your precious, invisible thing? (It’s okay if you need tissues!)
3. Remember that Antoine de Saint-Exupéry wrote this during a horrific war. I’ll bet it was comforting to him. Using our imaginations is often a comforting way to escape harsh realities in our present world. When I need comfort, I often reach for the Narnia books by C.S. Lewis, or the Lord of the Rings trilogy by J.R.R. Tolkien. Is there any place you like to escape to for comfort, in stories or in your imagination? Can you write the beginning of a story set in that world? 

This post originally appeared on the Fowler Middle School book blog. 

© 2017 Julie Berry www.julieberrybooks.com

The Faces of The Passion of Dolssa (Paperback Release Day!)

Today The Passion of Dolssa releases in paperback from Penguin.

   

I love paperbacks. They’re cozy and bendable. They squunch into your purse or backpack. Pricewise, they put books in the reach of more readers. Always a plus. So it’s great to see this second birth.

The cover is essentially the same as the hardback, now with a big silver thingy, but who’s noticing? (Ahem.) Below is a video providing some historical context.  The paperback edition features a great list of discussion questions, perfect for book clubs and classrooms. And for anyone who closes the book shaking their fists at me, here is a page on my website that discusses the ending. Before you click on it you must sign a blood oath* swearing to have read it in full, because I dislike spoilers. *Seriously. **Not really, but still.

It’s interesting to me that, when talking of movies, the directors’ names are widely celebrated, nearly as much as the big stars', and in some cases more. Producers’ names even make the cut, and makeup artists, costume designers, and set designers are starting to have decent brand-name currency among moviegoers. The writers, with very few exceptions, remain fairly obscure. TV tips the scale a bit; TV writers have a bit more clout and power, but still they remain mostly behind the scenes.

Labor pains. Poor guy.

In the book world, however, the author is held up as the lone creative genius (or not-so-genius) who birthed their works in violent explosions of divine creation, much like, I imagine, Athena bursting from the head of Zeus. Editors must be the closest analog literature has to directors and producers, yet they receive no mention unless the writer names them in the acknowledgements. The publisher puts its stamp on the spine, but the army of talent that contributes editorial feedback, book design, production assistance, marketing insight, and management oversight remains faceless, except to industry insiders.

Uh-oh.

We need an Oscars for the book world. And SAG Awards. We have many book award-granting organizations (bless them!), but in every case, the author is the face accepting the accolades. After watching this year’s Oscars, I thought that the entire publishing family should be ushered onstage when a Newbery, Caldecott, or Printz medal is awarded. Preferably, they wouldn’t need to scurry offstage awkwardly when a wrong title is announced.

Kendra Levin

I am grateful for the many accolades and honors The Passion of Dolssa has received. Beyond grateful. At times, a bit overcome. But it feels wrong to accept such kindness without acknowledging the immense presence of my editor, Kendra Levin, on every page of this book. Her commitment to helping me create the kind of book I aspired to write is the reason why The Passion of Dolssa is what it is today. It was a long, arduous, sometimes torturous process, birthing this story from the swirling mess inside my head. (Kendra might admit it took forceps.) It was also the most stimulating, rewarding intellectual work of my life. Thus far. I wouldn’t change a thing. But I would have nothing if Kendra hadn’t been willing to trudge those miles with me, draft after draft after draft. We had other helpful road companions, too, in the persons of my dear critique group readers, and above all, my highly satisfactory husband, Phil. It takes a hamlet to write a medieval story.

Mark Pegg

Ken Wright

Speaking of which, the historical credibility of this book would be nonexistent without the generous help of Professor Mark Pegg, medievalist and historian on the faculty of Washington University of Saint Lewis. His scholarly research was crucial, and his thoughtful input on the manuscript provided keen insights and spared many errors.

Alyssa Henkin

My agent, Alyssa Henkin of Trident Media Group, and my publisher, Ken Wright, gave this idea two enthusiastic thumbs-up. Dana Leydig and Eileen Kreit have brought forth the beautiful paperback edition, with all its bonus features.

Dana Leydig

Is it goofy to thank the characters? Or at least, acknowledge them? I love them. They are real to me. And I learned so much from them, from every person in this large ensemble cast. Dolssa de Stigata, teenage noblewoman and mystic, and Botille Flasucra, matchmaker, bar wench, and all-around hustler, are the two stars of this story. The friendship they form under extreme circumstances is one of the dearest parts of this story to me. In some ways, the setup is an expanded retelling of the parable of the Good Samaritan, though I did not realize it at the time. The novel asks, just how far might caring for the wounded go – all the way to sacrificial love? Or if caring proves dangerous, when should it stop? Loving and trusting another human being may be the most perilous thing we ever do. And the most necessary for our deepest happiness. Just ask Symo.

Eileen Kreit

Where to find The Passion of Dolssa in paperback: Your local Indie store | Barnes & Noble | Books-a-Million | Powell’s | Amazon.